Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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GOZZOLI, Benozzo
Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul dsgh

ID: 07002

GOZZOLI, Benozzo Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul dsgh
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GOZZOLI, Benozzo Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul dsgh


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GOZZOLI, Benozzo

Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes   Related Paintings of GOZZOLI, Benozzo :. | The Mocking of Christ (detail) dsg | Scenes from the Life of St Francis (Scene 6, north wall) g | Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul dsgh | Expulsion of Joachim from the Temple g | Shrine of the Madonna della Tosse g |
Related Artists:
Anders Gustaf Koskull
painted Household Work in 1866
Olga Wisinger-Florian
Austria born 1844 - died 1926 was an Austrian impressionist painter, mainly of landscapes and flower still lifes. She was a notable representative of Austrian Mood Impressionism. Having trained as a concert pianist, Wisinger-Florian switched to painting in the mid-1870s. She was a student of Melchior Fritsch, August Schaeffer, and Emil Jakob Schindler. From 1881 she regularly showed paintings at the annual exhibitions mounted at the artist's house and later often showed at Vienna Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions earned her worldwide acclaim. The artist, who was also active in the middle-class women's movements of the time, was awarded numerous distinctions and prizes. Wisinger-Florian's early paintings can be assigned to what is known as Austrian Mood Impressionism. In her landscape paintings she adopted Schindler's sublime approach to nature. The motifs she employed, such as views of tree-lined avenues, gardens and fields, were strongly reminiscent of her teacher's work. After breaking with Schindler in 1884, however, the artist went her own way. Her conception of landscape became more realistic.
Marco Zoppo
Cento 1433-Venice 1478






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